LE MILE Issue Nº 40 — IDENTITY (Spring/Summer 2026)

The 40th issue of LE MILE, releasing April 15, 2026, is dedicated to IDENTITY—approached as something living, shaped through presence and perception. At the core of this edition are 15 distinct covers, each offering its own interpretation of identity. Together, they form a collective statement that embraces multiplicity and reflects the breadth of contemporary self-definition. 
 

This issue brings together a wide spectrum of leading voices shaping today’s cultural landscape. Among them are Lisa Vicari, whose cover story reflects on intuition and self awareness through acting, and Ana Mendieta, whose work anchors a profound exploration of the body in relation to land and memory. The legacy of Marcel Duchamp is revisited through a major retrospective, opening questions around authorship, persona, and the construction of identity that continue to resonate today.

In fashion and design, the issue features Gucci under Demna, alongside projects and collaborations involving Louis Vuitton, New Balance, and Rimowa, articulated through the practice of designer Tom Ducarouge. Designers such as Dora Abodi expand identity into narrative-driven wearable art, where mythology, history, and craftsmanship intersect. The cultural scope extends into music and performance with Dragon Pony, representing a shift toward collective sound and live expression, as well as figures like Noomi Rapace, Harriet Herbig-Matten, and Tamta, each engaging identity through performance and presence. In art and beyond, contributions and features include Tracey Emin, Saadane Afif, Waris Dirie, and Clara Woods, alongside a wide network of emerging and established creatives whose practices expand the definition of identity across fields.

Designers define identity through process and form, musicians through shared sound and collective energy, and actors through intuition and embodiment. Each contribution reflects identity as something lived in real time and shaped through ongoing experience. The issue also reflects the conditions that inform identity today, including cultural movement, global exchange, and the interconnected nature of creative work. It captures a moment in which identity exists across disciplines and perspectives, carried through individual vision and collective experience.

OFFLINE is also fragments, a perfume drifting through corridors, an object made from discarded material, a body moving without witness. These pieces scatter across the magazine, building a landscape of slowness and proximity. They are held together by an editorial rhythm that values pause, repetition, and return. 380 pages printed to be held, to be turned, to exist away from notifications. Each feature builds a physical archive of the present moment, uncompressed, uncurated by algorithm. Every spread offers an encounter and every image resists instant consumption.